And the real trick to it is falling madly in love with literally everything. Gomez Addams isn’t just madly in love with Morticia, he’s madly in love with his house, with his train set, with his kids, with his brother, with his weird normie neighbors, with literally everything. Different kinds of love for each, but love all the same. For having such morbid tastes, Gomez is madly in love with life. THAT’S how you land a Morticia, by being unapologetically and madly in love with everything around you.
Bitches love me for my passionate swag and my unrelenting appreciate for the zest of life
I often see people ask how to get started with doing this, because it seems like a daunting task to be in love with everything, when you are starting off in love with nothing, or very few things perhaps. But the answer isn’t grand or elaborate or secret. The answer is to pick something, and choose love.
And then do it again, and again, and again.
The act of being in love is just choosing love over and over.
The act of being
in love is just choosing love
over and over.
Beep boop! I look for accidental haiku posts. Sometimes I mess up.
The act of being in love is just choosing love over and over
The act of being
in love is just choosing love
over and over
Beep boop! I look for accidental haiku posts. Sometimes I mess up.
maidens if you are going to flee dramatically from my castle in the middle of the night once i reveal my true nature to you please leave your candelabra on the little ledge by the portcullis we are running out of them
starting to think these maidens are stumbling in soaked through from the rain just to steal my beautiful gowns and homewear are any of you actually lost
At the checkout in Home Goods loading the belt with nothing but candelabras in all shapes & sizes while the cashier watches sympathetically and asks if it’s the maidens again
A large part of housecat vocalisation toward humans isn’t goal-directed communication, but rather, affiliative signaling: a simple call-and-response protocol which establishes that the participants are part of the same social unit. Amongst themselves, most housecat affiliative signaling is non-vocal, but humans aren’t really physiologically equipped to respond to such signalling in a feline fashion, and cats, well, they’re adaptable.
Which is to say that when your cat yells, and you yell back, so the cat yells again, and so forth, what you’re really saying to each other is “hiiiiii~”.
This is why it is important to meow at loved ones.
A largish percentage of human vocalizations are this, too! When your human co-worker says “Workin’ hard or hardly workin’?” or comments on atmospheric conditions or other readily-observable features of your surroundings, or generally statements that seemingly convey no useful or novel information whatsoever, the true purpose of these vocalizations is to develop and/or maintain the social unit of the workplace! In effect, they are saying, “We are experiencing this situation together. We often experience situations together. Let’s be allies!”
Some humans will even make vocalizations of this kind to complete strangers, such as when waiting in a line or using public transportation. This behavior is especially common in situation that may involve some form of inconvenience or frustration, such as waiting in a long line or experiencing a delay. In these contexts, the vocalizations communicate, “We are both experiencing the same unpleasant situation; let’s not make it worse by being aggressive to one another.”
every so often im struck by the memory of one of my college professors getting very angry with our class (art history of pompeii 250) because when she excitedly detailed the ingenious roman invention of heated floors in bathhouses via hearths in small crawlspaces, we asked who was tending the fires. she said “oh, slaves i suppose. but that isnt the point”. and we said that it actually very much was the point. she had just told us that in roman society there were dozens of people, maybe hundreds, who spent every day of their enslaved lives crawling in cramped, hot, smoky tunnels to light fires to warm pools of water (which they were not allowed to swim in). how could that not be the point?
she wanted us to focus on the art, on the innovation of heated plumbing, on the tiles and decorations of the bathhouses, and all we wanted to do was learn more about the people under the floors. and she didn’t know anything more about that. in fact, she said she thought we were focusing too much on superfluous details.
it feels almost hokey to put too fine a point on the idea im getting at here but i will anyway: There are a lot of people who are still under the floors. all these beautiful, convenient, brilliant innovations of modern society (think fast fashion, chatgpt, uber, doordash) are still powered by people working in inhumane, untenable conditions.
the people who run these systems want you to focus on the good - who doesnt love warm water? - but if anything is going to improve or change in our lifetimes, you need to examine these things with an attentive, critical, and empathetic eye. and for fucks sake stop ordering from amazon
